Deriving from the Latin word ‘Ringing’, tinnitus is a condition that affects our hearing and can become so severe that musicians can no longer play their instruments.

This article explains what tinnitus is, how it is caused, and how to prevent it as a drummer,


The human ear is a remarkable instrument consisting of the outer ear, middle ear and inner ear. Between these three components, the ear can take the sound waves that it catches and turn them into electrical signals that the brain can compute as sound. Unfortunately this incredible organ can be damaged by the very thing that it is designed to detect.

Many of us have experienced temporary tinnitus after a concert, detected as a ringing in the ears that disappears by the following morning. If this noise exposure continues then permanent damage can occur.

One symptom is the damage of the tiny hair cells in the inner ear resulting in the loss of hearing of certain frequencies. This can occur in the frequencies of human speech, meaning that hearing parts of a conversation become difficult.

A second symptom of noise exposure is tinnitus. This is caused by the damaged hair cells transmitting a new signal to the brain. If this new signal is perceived by the brain as a sound, then a constant sound will be experienced inside the sufferer’s head, often in the form of a high pitched ringing or buzzing.

According to the BTA (British Tinnitus Association), “Mild tinnitus is common ‑ about 10 per cent of the UK adult population have it all the time and, in up to one per cent of adults, this may affect their quality of life.”

Obviously, as drummers, we stand a greater chance of being in that one percent due to the fact that we smack things with bits of wood to create loud noises. Add to this, the environments of noisy gigs, deafening rehearsal rooms, and guitarists who think that Spinal Tap’s guitar amp volume 11 is actually a good idea, and we have a real need to take action before permanent damage is caused.


When working out if your environment is too noisy, the BTA says, “There are two easy ways to do this: If you are exposed to noise that afterwards leaves you with ringing in the ears then it is too loud. This ringing in your ears (technically this is tinnitus) represents a condition called temporary threshold shift and indicates that your hair cells are exhausted from too much noise.”


The second way is whether you can hold a conversation or not. A rough guide for background noise levels depending on ability to talk is shown below:

  • Loud Voice at 4ft – 93dB
  • Shout at 4ft – 99dB
  • Shout at 2 ft -105dB
  • Impossible even close to listener’s ear – Over 110dB

The theory says that for every 3dB increase in sound intensity, the safe time of exposure to that sound halves!”

This means that as 85db are considered safe for a full working day (8 hours), then the decibel increase and safe exposure time would look like this:

85db – 8hrs

88db – 4hrs

91db – 2hrs

94db – 1hr

97db – 30mins

100db – 15mins

103db – 7.5mins

106db – 3.75mins


There is currently not a cure for tinnitus so once the damage is done, it is here to stay.


Eddy Temple-Morris, BTA Ambassador, DJ, Producer and Presenter says, “If you are an employed musician, the Control of Noise at Work Regulations (2005) made employers responsible for the assessment, management and reduction of noise in the workplace, including the provision, where appropriate, of suitable hearing protection. So any “employed” musician should now have access to advice, suitable hearing protection and/or other forms of noise reduction.”

That is all well and good, but many of us are freelance or amateur drummers without the luxury of someone looking out for our health. Therefore the responsibility lies with you.

Here are some tips for preventing hearing damage:

  1. The best method of prevention would be to avoid noisy situations but as a drummer that just isn’t an option.
  2. A more practical alternative is to limit your exposure time. During a rehearsal session, incorporate breaks in which you find somewhere quiet to rest your ears. During a gig, use the intermission to find a quiet space and rest those ears. When recording, between takes find somewhere quiet and rest your ears.
  3. Stay hydrated to maintain inner ear function, and avoid alcohol as this affects the fluids in the inner ear.
  4. Turn down. This will not always be possible but you might want to consider whether the rehearsal really needs to be carried out at high volume. Often by turning down, you will find greater clarity in sound and the music might actually feel better, enabling band members to bounce off each other and create better music. A double whammy!
  5. Wear hearing protection. The stigma of ear plugs not being ‘cool’ is finally fading as people start to realise that loss of hearing and tinnitus is even less cool. Most professional musicians use hearing protection now and a huge range of products exist on the market.


When it comes to ear plugs, most drummers hate them. They are often uncomfortable and cut out too much of certain frequencies and not enough of others resulting in a muffled, unpleasant sound that sees us ripping them out half way through the first song. But if you invest your money to buy a suitable pair, you will find a product that protects your ears and allows you to enjoy your music.

Products range from cheap disposable foam plugs for £1, mouldable silicone plugs at around £3, plastic ear plugs around £6, shooting muffs around £20, stereo isolation headphones around £60, custom moulded ear plugs for around £100, and up to in ear monitors (IEM) for around £200.

Interestingly, us drummers will very happily part with £200 for a Zildjian K dark crash cymbal but begrudge having to spend even £20 on hearing protection. But for all the enjoyment we can get out of our favourite drums and cymbals, they are nothing without a good pair of ears through which we can actually hear the drums and cymbals.

Our ears are our greatest instrument and spending money on keeping them maintained is one of the greatest investments you can make as a musician.

Obviously, it depends upon your application as to what you buy. Shooting ear muffs might have a great db reduction that work for practising in your bedroom, but might not look as cool on stage as a discreet set of custom moulded ear plugs.

If you play live and want the on stage monitor sound to come direct into your ear at a safe volume, then the IEMs would be a great choice. The custom fit means that they shut out much of the sound outside so you have complete control over the volume that reaches your ear through the monitors.

Whatever you choose, by taking these steps to protect your ears, you will be able to go on enjoying music up to a ripe old age.



A great resource www.tinnitus.org.uk

A good source of information for musicians is the US charity HEAR (Hearing Education and Awareness for Rockers): www.hearnet.com

This website has many practical tips for musicians: www.soundadvice.info/